A few weeks ago a group of Circulaire artists drove to Ottawa for the opening of Manuel Lau’s print show at Galerie d’art Jean-Claude-Bergeron. The trip was full of spontaneous episodes. When four of us went to the National Gallery, our two Cuban friends, who swim in and out of conversations with strangers like tropical fish in a coral reef, bumped into a trio, packing instruments after performing in a wood paneled room featuring classical paintings. Before I knew it we were all back at our friend’s vernissage, listening to the guitarists strum their classical rhythms, much to the delight of the gallery owner.

St. Patrick Street, Ottawa
Another unplanned chapter of that trip was when Brenda, whom I had the pleasure of meeting at the opening, invited our group of seven to her home after the show. This charming visit, doused with champagne, a delectable meal, and an animated trilingual conversation, was the perfect way to end the day.

Le couloir, Atelier Circulaire
Two weeks ago, Brenda came to Montreal. Since she wanted to see my work I hung a selection of framed pieces in my private space at Atelier Circulaire. I also wanted to show her a series of my large format collagraph prints. The exhibition space at our studio, colloquially referred to as Le couloir, was available for two more weeks before the next show, so I hung my big pieces there.

À marée haute, collagraph print, 130 x 96 cm, 2002
This series of prints was first exhibited in 2002, at my show Empreintes interieurs, at the Maison de la culture de Trois-Rivières, and two years later at Brique-collage, at the Saidye Bronfman Centre, in Montreal. Loto-Quebec owns four of these prints, Balance hangs in the Alcan collection, and Racines rouge was on exhibit at the Montreal Museum of Fine Arts Sales and Rental Gallery. However, after hanging the prints in Le couloir, I realized that many people had never seen them. It was a pleasure to share them with the artists I work with on a day to day basis. Since the prints were in full view from the kitchen table, we often talked about the work while grabbing a bite or sipping a hot beverage of choice.
Brenda’s visit to Atelier Circulaire coincided with a pot luck lunch followed by a Powerpoint presentation by Nicole, who had just returned from a stimulating visit to Philagrafika, the international print fair in Philadelphia. The table was bursting with wine bottles, improvised dishes alongside with more elaborate ones like Chinese pork and shrimp dumplings. When it was time to toast, Brenda asked what the special occasion was. She was bombarded with answers: “Your visit!,” “Nicole’s presentation!,” “Manuel’s residency in China!,” “Talleen’s vernissage!” That last raison d’être is a perfect example of how things fall into place at Atelier Circulaire. There was no opening planned, yet the atmosphere was a lovely celebration that coincided with my little show of big collagraphs. As I sat at the table surrounded by the circle of happy artists, gazing at my prints, I basked in the energy that makes Atelier Circulaire such a warm, vibrant and inspiring place. The joie de vivre and the love of art form the common ground where we create and interact.
Talleen Hacikyan










Vos commentaires